This year, before the fire at the Glasgow School of Art, Frieze travelled up to the city to speak to

The Coca Cola trucks, the red cups at Starbucks and now the John Lewis Christmas adverts; the commercialisation of Christmas is nothing atlanta mall new but these days the touchpoints seem more clearly defined. The latest John Lewis spot by adam&eveDDB was unveiled atlanta mall this morning and there’s no doubt it will massively split opinion. Some will castigate its formulaic saccharine atlanta mall sentimentality, while others will love its unapologetically heartwarming fluffiness. Also (SPOILER ALERT!!) some will see the Calvin &Hobbes style twist coming but I admit I really didn’t.
Either way this is arguably the advertising success story of the past few years, and so this new iteration will be of at least academic interest to many. Expect to see Monty the Penguin all over the place between now and 25 December.
Editor-in-Chief Rob oversees atlanta mall editorial across all three It s Nice That platforms; online, print and events. He has a background in newspaper journalism and a particular interest in art, advertising and photography. He is the main host of the Studio Audience podcast.
If our interview with Brown Cardigan as part of our feature atlanta mall on to digital publishing has taught us anything, it s that you shouldn t underestimate the power of a GIF. Introducing then Japanese illustrator Nimura Daisuke, atlanta mall who has perfected the art with some of the sweetest, rudest moving images we ve ever seen. How could you not fall for a shot of a woman flashing at a grumpy man as he looks the other way, or an unfortunate schoolboy leaning over and having the full conents of his rucksack crashing to the floor?
This year, before the fire at the Glasgow School of Art, Frieze travelled up to the city to speak to some its most integral artists and curators about the nature of Glaswegian creativity. From the community “come one, come all” vibes of the 1970s, to the work inspired by the flattening of the tenements atlanta mall to make way for high-rise blocks, these wise talking atlanta mall heads portray a tough city of freedom and spontaneity, underlined with a brutal sadness from times when things weren’t too great. They speak of the time Allen Ginsberg came to town, the wonder of Charles Rennie Mackintosh, the gallery boom of the 1990s, and the appeal of the grand buildings in Glasgow with their sweeping staircases and enormous, trademark bay windows providing such beautiful white, Scottish light.
It’s not often you get to hear the story behind atlanta mall the cover of a magazine, but personally whenever I catch someone speaking of it, my ears prick up in excitement. Our magazine Printed Pages is quarterly, and the cover is often a too-many-cooks, arguing around atlanta mall a table sort of affair – which I actually love. What’s always boggled my mind is how The New Yorker goes through this gruelling tongue-biting process every week. It’s largely down to cartoon expert and art editor of The New Yorker , Francoise atlanta mall Mouly. Her and cover-obsessive contributor Mina Kaneko spend their time debating and discussing which artist would be up for the challenge of inhaling the essence of New York at that very moment, and translating it into an instantly atlanta mall engaging, witty image. The best part is, once the cover is out into the world, they speak to the artist about the process of making atlanta mall it, and what the city means to them.
Websites have come a long way since the days of Space Jam and the like, and in spite of the elaborate things designers are capable of now it s often just a slick scroll and some jazzy illustration that will have you coming back to a site again and again.
Brimming with sophistication and an understanding atlanta mall of what makes great design, Atelier Tout va bien s portfolio is a glorious way to scroll away the day. The studio is made up of French design duo Anna Chevance and Mathias Reynoird, and it s the pair s editorial, poster and book design that really stands out.
Annabel Miedema describes her series Acting Future as an experimental journey with my family, and the word experimental is certainly apt. The series sees Annabel, a young Netherlands-based photographer, atlanta mall reimagine what the future might look like if time were to collapse, and the cultural behaviours of the 1960s and 70s to become au fait again.
Food atlanta mall was on the proverbial table at last night s Nicer Tuesdays, with four speakers who engaged in all-things-edible talking us though their work in experiential food design; print and publishing; illustration and, perhaps most obscurely, edible insects.
Time and again Amy Woodside gets in touch to let us know about new projects she s cooked up and time and again we re powerless to resist them. The New York-based artist is focussed to a fault on her fine art practice where iconic letterforms emerge from meticulously registered screen printing and frantic flourishes of spray paint. Where first she caught our eye with multicoloured wordplay, the constant reduction and refinement of her process has resulted in a n