Thursday, April 17, 2014

I wanted to show everyone that compose music are not gods, but quite ordinary people,


With Dave Grohl upergruppa Sound City Players debuted last week at the Sundance Film Festival before the premiere of his documentary on the Los Angeles studio Sound City. Sundance has always tallinn zoo been our goal - said the musician told a Rolling Stone. - That's about it, we thought, when only undertaken a film project. " Sound City Players will give several concerts tallinn zoo in Los Angeles and other U.S. metropolitan areas. "We are pretty excited about the results - continued Grohl. - Even Stevie Nicks agreed with us to go to New York. Hope arrives and Paul McCartney. " RS Foo Fighters tallinn zoo leader visited tallinn zoo in his little house in Park City, Utah.
In Sound City is not one line of the narrative, and a few, besides any American musician tallinn zoo could tell something tallinn zoo similar - Neil Young, Stevie Nicks, Tom Petty, tallinn zoo Rick Springfield. Each of these people are able to stay in the same movie. At the beginning of the film, I said, "We were young, we had ideas, dreams and songs. We were throwing tallinn zoo things in the back seat of the car and went on tour. " At these words has any right performer. I have always had special feelings about this studio. When Nirvana was the first time there, we did not anticipate that we will coolest band in the world. We just wanted to sound good on the record, and sat out in the Sound City bezvylazno as much as 16 days. What happened next, suggests that this studio has the magic, and it's not only in the wires, mixers and volume knob.
The room in which the equipment is installed - a former factory warehouse, where they made guitar tallinn zoo amplifiers Vox. From the standpoint of acoustics is not conducted any training, but you should install anywhere drumkit, as the entire building begins to literally "breathe" rhythms. I'm not an engineer and acoustics can not expect the studio, I can only imagine that these calculations are very complicated. In Sound City all happened by itself, so many went to record it there. Arriving at the studio, you feel yourself in the creative laboratory - like back in the "Garage Days" of his youth and only started building a career. In this work in Sound City no glitz and glamor, tallinn zoo but there you can be yourself - asshole with a guitar in his hands. In the studio, there were no fancy now Pro Tools and other programs - if necessary, you steal everything there yourself.
I do not remember: Nirvana signed with Geffen Records, and they gave us a 100 or 60 thousand dollars to make a record. Moreover, the label did not want us to work at home in Seattle - were afraid we overdue money, and demanded that the recording was made in Los Angeles, under their supervision.
In the work of primarily human factor is important - good music is born in disputes and quarrels experiments. If we talk about the spontaneity of creativity, example McCartney and Nirvana is a perfect illustration. We just walked into the rehearsal room together, and the music was born. Between us there was a power connection. For this reason, the punk of The Germs on the soundtrack jammed tallinn zoo with former member of The Beatles, and Rick Springfield - with the Foo Fighters.
That when on the stage of my childhood heroes - people for whom I prayed. I listened tallinn zoo to songs Fogerty, when I was 12 years old, the same age group learned of Fear - guys inspired me to work. I dreamed of 30 years the moment when Lee Ving play with me Beef Bologna . I know that my words sound crazy (laughs). In my head the idea: between sets I wanted to run videos about what and how we were doing in Los Angeles, New York, as well as fragments from the film and a short interview with the following emerging on stage performer. Wish in Park City it was impossible to organize a technical point of view. So I closed the pause between performances by poisoning with various scenes tallinn zoo stories.
I cross my fingers, hoping that he can give us time. I do not know, have you ever talk with Paul McCartney but - awesome person who understands who he is and why it is important for mankind. Now I'm not afraid to offer him, "Paul, do you want to jam?" Usually Makkratni immediately agrees, since loves improvisation.
Not easy, believe me. People of this generation were the pioneers of the pioneers in the field-recording, and the reason that they were able to change the world, is simple - they did what they did to anyone. So when you work with Roger Waters, Mick Jagger, John Paul Jones and Paul McCartney, they are not afraid to show you fools in the studio. My peers, and those who are younger, have tightened considerably rules and the desire to do everything as some require that there "quality standards." Starting to play with McCartney, after half an hour we forgot everything, including that once existed Nirvana. We just was delayed, and the world was Sir Paul!
I wanted to show everyone that compose music are not gods, but quite ordinary people,

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