Complete their training in the Staatliche Kunstakademie Düsseldorf (1980-1987) in choosing a traini

I could not leave out of this series with the photographer's work more listed in the story. Perhaps driven by the interest he had in the last article where I ask you to vote for your favorite photo from among the ten most quoted of all time, I thought I knew a little more in depth contemporary artist of Today could be an interesting experience.
The observation of the work of photographer today deserves a place other than the mere reproduction in this article, which no doubt will not be able to capture what we feel in seeing their work in the natural. Friends, today we visit one of the most acclaimed contemporary photographers: 95. Andreas Gursky
Born in Leipzig on 15 January 1955, son of Willy Gursky known industrial photographer, grows in Düsseldorf learning the secrets of his father's profession before completing high school. In the late 70's, he attended for two years Folwangschule Essen (1977-1979) in Otto Steinert, after the construction of the Berlin talbots outlet Wall in 1961, had established a major training base for professional photographers West Germany, especially in the field of photojournalism and graphic design. In Essen, Gursky comes into contact with the German tradition of documentary photography, with August Sander as a reference, characterized by improvisation and some formal treatment away from the dictated estheticians commercial photography.
Complete their training in the Staatliche Kunstakademie Düsseldorf (1980-1987) in choosing a training program free Freie Kunst, being student Bernd Becher and Hilla. Like other students of this school, Candida Höfer, talbots outlet Tata Ronkholz, Petra Wunderlich and Thomas Ruff, Gursky's work began to receive international exposure in the eighties, in shape, along with all the so-called New Photography School Germany, the foundations of which are based on aseptic processing record of contemporary society. Since then, his work has been exhibited in numerous exhibition spaces and European Americans, emphasizing their individual samples in SF MoMA in 2003, the Centre Georges Pompidou in Paris in 2002 and the MoMA in New York in 2001 .
Today, his photographs have reached unimaginable levels of market for photography for two decades, and his frequent presence in the auction houses worldwide. Your copy of 'Rhein II' holds the record for a photograph auctioned more than $ 4 million that was paid on 8 November 2011 at Christie's New York living. Months earlier he had done with his famous photograph of a supermarket, 99 percent Diptychon II '.
Throughout its production, Gursky talbots outlet has been able to articulate all your formative influences in an attractive body of work, focusing first in Düsseldorf and later expanded on his many trips to Cairo, New York, Brasilia, Tokyo, Stockholm, Chicago, Athens , Singapore, Paris and Los Angeles, among others. His photographs, large format and rich in color and detail, often sharing sites represent human linked to the consumer talbots outlet society, public spaces such as airports, stations, clubs, building stock, parliaments, industrial plants, offices, hotels, supermarkets, or pools, and places where the human footprint is only anecdotal. Gursky raised in this reflection on our civilization, being interested in a particular way in the dialectic between the individual and the collective dialogue with the history of art, or capturing the essence of modernity .
Gursky received solid training in the hands of masters talbots outlet of the Neue Sachlichkeit (New Objectivity) Hilla and Bernd Becher at the Düsseldorf Kunstakademie taatliche S, a team known for its characteristic method of systematically cataloging talbots outlet industrial machinery and architecture. Gursky talbots outlet also show a methodical approach of its kind to produce large-scale talbots outlet photographs. talbots outlet Other notable influences can be found in the British landscape photographer John Davies, where the extraordinary detail in his works had a strong effect on Gursky's photographs and to a lesser degree the American photographer Joel Sternfeld.
In his early works, before the 90's, Gursky did not digitally talbots outlet manipulate his images but in later years, mainly because the technology allows talbots outlet it, Gursky has been frank in admitting their dependence on computers to edit and improve their images, creating a style of photography on a large scale in a very wider than himself photographed subject. His first fo